Samba rhino

philosophy + machine learning + black study

Techno Resistance and black futures FESTIVAL

#blacktechfutures

 

PROGRAMME AND SPEAKERs LIST

FESTIVAL PROGRAMME

SPEAKERS LIST

READING LIST

Denise Ferreira Da Silva presents: 'A conversation on Value' reading list

MIXTAPES

SambaRhino presents: Mixtape 01 - Love Is Where You Find It: Tribute To Baldwin

SLAC presents: Techno Resistance and Black Futures - Mixtape 02 - Afro Futurism Mix

WORKSHOPS

Come along with an open mind and heart and experience activities that may open up new ideas using story, play and adventure. WEDNESDAY, 24-MAY (6:30PM - 8:00PM) [BOOK NOW]  FREE

Come along with an open mind and heart and experience activities that may open up new ideas using story, play and adventure. WEDNESDAY, 24-MAY (6:30PM - 8:00PM)

[BOOK NOW]  FREE

Join this experimental movement and performance workshop with the goal of poeticising movement practice and amplifying pro-Black, pro-Queer aesthetics. THURSDAY, 24-MAY (6:30PM - 8:00PM) [BOOK NOW]  FREE

Join this experimental movement and performance workshop with the goal of poeticising movement practice and amplifying pro-Black, pro-Queer aesthetics. THURSDAY, 24-MAY (6:30PM - 8:00PM)

[BOOK NOW]  FREE

festival REGISTRATION

Space is limited, so please book your place early. The event is free and open to the public. (The information you supply will only be used by SambaRhino)

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MAP AND LOCATION

 

Goldsmiths, University of London, SE14 6PP, Ian Gulland Lecture Theatre

 

Join us at techno resistance and black futures FESTIVAL 24th - 27th May, 2017

(Workshops on 24th and 25th + full day conference on 27th May!)

Afternoon address by Dr. Ezekiel Dixon-Román • evening address by Dr. Denise Ferreira da Silva  special performances by Larry Achiampong, Jay Bernardmarikiscrycrycry, and Nikky Norton-Shafau & AURIO VIDA.

We're delighted to announce Techno Resistance and Black Futures conference taking place at Goldsmiths, University of London on 27th May, 2017. 

In his 1994 essay ‘Black to the Future: Interviews with Samuel Delaney, Greg Tate and Tricia Rose,’ Mark Dery describes the black body as inhabiting a perverse space of cultural intolerance. In a very real sense, Dery describes the black body as occupying a place in history where the Diaspora is more reminiscent of the strangeness of alien abduction, rather than that of a self-determinant peoples. 

Still, according to Dery, subjugation of the black body is situated in the techno-scientific, where the subject is articulated as real only in as much as it is made visible in contact with the most (dis)functional modes of technological progress: today in terms of the tip of a police bullet, the subject of the body cam or racial profiling, the efficiency of redlined pricing and other technologies that disproportionately reduce the free mobility of black people. For technology has been, and remains today, an insufficient means of liberation for the black body.

Paradoxically, since the projects of the Enlightenment and the technological dystopia called modernity, the technical has also functioned as the black body's precise mode of individual and collective departure. Technological speculation, as a technique of relation borrowing from Brian Massumi (2008) or what Alanna Thain (2008) describes as 'a lived reality of relation too often obscured by a retroactive distancing between mind/ body, self/ other, subject/ object, artist/ artwork, discovery/ invention,' offers the black body a method by which the alienness of terrestrial belonging can be re-scripted, re-coded and re-organised into alternative modes of being and becoming. Here we reference Denise da Silva's adoption of mathematical reasoning to devise procedures that unleash 'blackness' to confront life or Stefano Harney and Fred Moten's proposed methodology of the undercommon which prompts black people to adopt a right of indifference to representation in the break of artistic production.

One goal is to understand how the black body operates at the intersections of history, speculation and technique. Another is to move beyond a methodological immediacy that reflects historical and present modes of sufferings and displacements. The overall aim, however, is to imagine new relational frameworks that seek to understand how the imposition of circumstance can emerge as a politics of self-determinate belonging.

It is here, at the junction of encounter and context, that Félix Guattari views the racialised group as assigning meaning. This meaning is a force that ‘constitutes the seeds of the production of subjectivity’, as ‘we are not in the presence of a passively representative image, but a vector of subjectivation’ (Guattari, et. al., 1995: 29−30). It is through the meaning of backness that the black, brown and racialised individual creates a cohesion of (mis)representation, expounded by aesthetic markers, dynamic vibrations and cultural kineticisms often expressed as a sense of belonging.

Techno Resistance and Black Futures takes this point of departure as method of intervention and critique (in literature, philosophy, sonic resonances, short film, science fiction, social platforms, gaming, cosplay, graphic arts and other digital and geek ecologies) that put forward the potential for alternative modes of living for the racialised body. In other words, it asks how the black, brown and 'othered' body can move beyond the study of symbolic, transcendental or physiological human attributes, or critique that exposes the violences of power (in their colonial, imperial and capitalist articulations) toward conditions of relation that activate new modes of being and becoming, and ultimately the liberation of black potential?

Organised by:

Ramon Amaro, Digital Culture Unit, Centre for Cultural Studies

Supported by: Centre for Cultural Studies, Goldsmiths, University of London; evening keynote in association with The Showroom

Production/Consultation: 

Mijke van der Drift (producer), Nicole Sansone (consultant), Conrad Moriarty-Cole (consultant)

Assistance:

Mahan Moalemi (production assistant), Ari Kanaga (production assistant)

Promotion:

Poster design by: Sophie Dyer. Images generously provided by Larry Achiampong.

 

 

POSTERS

#blacktechfutures